Anybody claiming to be a hardcore fan of Japanese cinema must recognize the name and talent of the great Hideko Takamine, who stars in her role as Keiko, a woman that seems to be deprived of options. - A melancholy and meditative downer of a film about the constraints of trying to forge a living as an independent widowed businesswoman in 1960's Japan, caught between a rock (untrustworthy men) and a hard place (aging in a society that treats single aging women exceptionally unfairly). Like a constantly smiling Setsuko Hara looking for solutions to her seemingly inescapable economic, social, emotional and marital situation, surrounding circumstances pushes her to her limits and that is where the real character study unfolds and lets Takamine's stunning acting abilities to flourish, including those of bursting into tears. Now I see why lumenal loves this film so much, campaigning passionately for this to be the starting point of my venture into Naruse's filmography. Patrons go to bars to escape the pressures of the world, the responsibilities of their families, the burden of their work; their love of this world might be real, but it can never be true. It really seems to reflect a particular time in post-war Japan, with everyone so obsessed with money and what they can get for it, the human tolls are brutal. They are imposed. she doesn't need our help to climb those stairs. 1,507 films 7,237 123 Edit, Constantly updating. For information, go to http://www.japan1960.blogspot.com So much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans. لكن الاشجار التي تصف على الطرقات يمكن أن تنبت براعم جديدة، مهما كانت الرياح باردة أنا أيضاً يجب أن أكون قوية، كالرياح التي تعصف حولي. When a Woman Ascends the Stairs, made in 1959, is the culmination of a run of masterpieces Naruse reeled off in the 1950s. "When a Woman Ascends the Stairs" turned out to be extremely modern and easy to watch. Yoshifumi Tajima Akira Tani Mitsuo Tsuda Haruko Tôgô Keiko Yanagawa Michiyo Yokoyama Kyoko Mori, Die Mädchen der Ginza, Cuando una mujer sube la escalera, Quand une femme monte l'escalier, Onna ga Kaidan wo Agaru Toki, 111 mins   People said Mizoguchi could tell you the truth behind women and their struggles well. Als ze niet haar hele leven mannen wil vermaken, zal ze moeten hertrouwen of eigenares worden. Directed by Mikio Naruse. A middle-aged bar hostess, constantly in debt, is faced with numerous social constraints and challenges posed to her by her family By the time When a Woman Ascends the Stairs is in its final reel, it's hard to imagine that it can go anywhere positive without selling itself out. Di awal memang tidak terlalu jelas, namun semakin lama perasaan pesimis dan sendu itu mulai menguasai layar sampai akhir filmnya. Keiko is motivated and very good at her job, but every step she takes is negotiated with a series of men -- to succeed at her job she needs to appeal to them, to…. Put it on your watchlist. A beautiful and moving character study of a brave, young woman trying to maintain her dignity in an unforgiving and competitive Japanese society, where she have to make choices that contradict her own values and principles. The performance by Hideko Takamine is powerful, she's a charismatic woman and she inhabits the screen with such grace and force. The veil of social decency morphs into a veil of affection, relations predicated on the commodity of love making true human connection impossible to find. Keiko is a thirty-year-old, middle class widow who works as a hostess in a bar. Playing at Stanford University on 4/13. I haven't enjoyed a single day since I started. You feel the sleaze; you feel the glamour and you feel, most importantly, transported. It really seems to reflect a particular time in post-war Japan, with everyone so obsessed with money and what they can get for it, the human tolls are brutal. The Battle of Chile Part One represents all three parts. Japan 1960. Naruse’s perfectly judged masterpiece knows that women are consistently hindered by society, and often the more they rise the more they are pushed down. When a Woman Ascends the Stairs (女が階段を上る時, Onna ga kaidan wo agaru toki?) When a Woman Ascends the Stairs (1960) Turn off light Favorite Server clipwatching Video Player Server vidoza Video Player Server gounlimited Video Player MissMIster Καλλυντικά Ομορφιά & … The performance by Hideko Takamine is powerful, she's a charismatic woman and she inhabits the screen with such grace and force. This is character development at its finest, a fully realized portrait of a human being stuck in…. A woman that holds her head high, no matter what life throws at her... or what men throw at her, you could say. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. Kamera Naruse yang tidak pernah bergerak mengingat kan saya akan Ozu, tapi penyuntingan beritmenya…. We follow Hideko Takamine's tragic character ( Reminded me of Ozu-hara, Machiko-Mizoguchi) , a career cut out for a male dominated society, trying to establish her Independence. And many other Mikio Naruse films. When a woman ascends the stairs, she steps into the den of lions. As the film progresses, every moment of it reinforces this. I think it shows powerfully a woman's role being limited by having to navigate men to get anywhere. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. You feel the sleaze; you feel the glamour and you feel, most importantly, transported. Adegan tersebut merupakan sebuah simbol sosial mendalam mengenai perjalanan karakter utamanya menuju dunia yang dipenuhi oleh kaum pria yang mendominasi, dimana para wanita menjadi sosok yang diobjektifikasi. Fortunately, it never feels forced nor too sentimental, which the story might suggest. Movies about/starring women and girls of all ages. Even when the women in her life take from her, they…. When A Woman Ascends The Stairs (Japan 1960) Takamine Hideko as Keiko, the Mama-san in a Ginza bar. TMDb The direction, cinematography and acting are great, and the ending, complete with ironic score, was so bleak. Theatrical trailer for When a Woman Ascends the Stairs. Updated: December 21, 2020 Created: January 19, 2013 View More Lists Follow Me, The Criterion Collection is a video distribution…, juliodogpit 1,001 films 12,393 538 Edit, UPDATE--------------------------------------------------------------------------, Check out also: The 100 Greatest Documentaries, ranked as objectively as possible The 100 Greatest Directors The 100 Greatest…, gabriel guimarães? Reminds me a lot of Billy Wilder's The Apartment, really just in how it's shot and paced which was a great feeling at the start of the film. The stairs here are societal, maybe social strata or maybe just the act of carrying on. naruse views her as objectively as possible and so should we. Directed by Mikio Naruse. More details at But this is not a wholly pessimistic film. is a 1960 Japanese drama film directed by Mikio Naruse. No one can stop her from trying to ascend those stairs, even if she always finds herself at the bottom. She enters a world of objectification, where patriarchal systems take on a cynical new air. And the film matches her quiet, graceful elegance with its austere tone and disposition, aided in part by a smart, jazzy xylophone score. please give this a watch! This is character development at its finest, a fully realized portrait of a human being stuck in…. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. Thanks to Lumenal here on Letterboxd I made it my mission to see this one as soon as possible, and now it feels like I've been introduced to a whole new world of Japanese cinema. I've been putting off watching this because I thought it was going to be quite a formal and serious affair based on the poster and title, but I knew I was wrong the moment the jazzy theme started playing to the opening credits. When a Woman Ascends the Stairs Wednesday, 2 December, 2020 Phillip O'Connor 女が階段を上る時, Onna ga kaidan o noboru toki. They are consequences of a male dominated society, of objectification, of callousness. When a Woman Ascends the Stairs 女が階段を上る時, Onna ga kaidan o noboru toki) is a 1960 Japanese drama film directed by Mikio Naruse. please give this a watch! Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. The film offers a fascinating glimpse into what that world might look like from an insider's point of view. They are imposed. لكن الاشجار التي تصف على الطرقات يمكن أن تنبت براعم جديدة، مهما كانت الرياح باردة أنا أيضاً يجب أن أكون قوية، كالرياح التي تعصف حولي. To ascend seems poetic, glamorous and classy - but really it is just a climb. It is an escape, after all, and escapism can only go so far before reality forces it's ugly hand. When a Woman Ascends the Stairs - Weduwe Keiko is een ‘mama-san’, barvrouw in de rosse buurt van Tokio. 1,507 films 7,236 123 Edit, Constantly updating. 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